The Star Trek: Deep Space Nine episode “Sanctuary” pretty clearly establishes that by the 24th century, the Star Trek universe’s Universal Translator works in an unsupervised fashion and requires only a (what we in the real 21st century would consider) minimal monolingual corpus and a few hours of processing to translate Skrreean, a language new to Starfleet and friends. Free paper idea: how does the Universal Translator’s capabilities (in the 22nd through the 24th century, from Enterprise to the original series to the 24th century shows) map onto known terms of art in machine translation in our universe?